So, as of June 1st this year, I am the co-artistic director of a small off-off Broadway theater company called Sonnet Repertory Theater. The company has been in existence for 5 years and the founder wanted to step down to the role of Executive Director. My good friend and former classmate Todd Loyd and I were approached to partner as the new co-artistic directors and we said yes.
Now, many of you may know, my life is not one with copious free time. Many of my New York friends were openly shocked by my new commission. I am still in a state of shock.
It’s not that I was looking for a creative outlet. Luckily my career provides ample opportunities for creativity and plenty of stress. But if there is one element that my job does not usually satisfy…it is working on classic plays.
Since the early days of Shakespeare in the Park (Sacramento, not Joe Papp’s) my favorite work has been in the classics. If you could make a living solely doing classic plays, I may have pursued a career as an actress. (I am literally getting up from the chair and spitting between my fingers. ((Pause)) Okay, I’m back.)
So, the opportunity to work on classic plays seemed like a good idea and I accepted the proposal of sharing artistic directorship with Todd. Now I will say that Todd has worked his ass off and thank god, because I have been really struggling to find the time to dedicate to this new venture.
HOWEVER
We had our annual benefit last week on November 12. I’ve attended these benefits in the past as a supporter of the company, but this was my first year in a leadership position. We wanted to up the ante all around, so we took on a ‘concept’ or ‘theme’ rather than a generic cabaret that existed in the past years. So, here was our idea:
We asked Broadway composers to compose a song to a piece of Shakespearian text. It could be a sonnet, or a speech or scene from a play. We then asked a Broadway musical director to put it all together. Finally, we approached Broadway performers to sing the material at our benefit.
We fully expected them to say NO. Many said YES.
Our first hour we provided free wine and food for our guests. This was a time to look at the Silent Auction table (we had some AMAZING stuff) and also participate in a 50/50 raffle. Then Todd and I introduced the performance. Here was the line up:
1. Christine Pedi singing “Shakespeare Is a Girl’s Best Friend,” a lyric parody of “Diamonds are a Girl’s Best Friend.” Christine is a famous face around New York for her successful one-woman shows where she impersonates Broadway Divas.
2. Rachel Ulanet (she was in Broadway’s “LoveMuzik) sang a sonnet written by Steve Marzullo, a MAC (Professional Cabaret Awards) award winner.
3. David Miller sang a sonnet composed by Zina Goldrich. David Miller is one of the multi-platinum Il Divo and our original Rodolfo in Baz Luhrmann’s La Boheme. Zina is currently workshopping a new musical based on the film “Ever After” and is famous for writing “Taylor, the Latte Boy.
4. Terrence Mann sang a duet from his show “The Nightengale” which is based on Romeo and Juliet. That’s right. TERRENCE MANN. The original Javert in Les Miserables. What the fuck. How did he say yes?
5. Bradley Dean, recently of “Company” on Broadway, worked out a Bill Finn song. Yes, Bill Finn agreed to let us sing one of his songs! WTF
6. Will Chase (High Fidelity) and Brandon Wardell (Good Vibrations) sang a hilarious duet based on Summer’s Day written AND composed for our benefit by the one and only Pulitzer Prize winning playwright Marsha Norman.
7. Here’s where it gets crazy. We called Duncan Sheik and asked him to donate a song. He’s smack in the middle of a new musical reading but he said that he had written something for Twelfth Night, and could we use that? We said, of course! Who do you want to perform it? He said. I WILL. That’s right. Duncan Sheik performed his music live at our benefit. And he dressed in a gorgeous suit and looked hot. For those of you who don’t know….Duncan is a pop singer who wrote the music to one of Broadway’s biggest hits and winner of the Tony Award for Best Musical last year…Spring Awakening.
8. One of my all-time Faves…Mr. Brian D’Arcy James sang a new song composed by the songwriting team of Tom Kitt and Amanda Green. It was based on Sonnet 29 and basically was a satire about Senator Craig. It was fucking hilarious and Brian was amazing.
9. Q Smith, who is currently performing in Les Miz (well, not currently, as there is a damned strike on) performed Adam Guettel’s “Love’s Fire” with a back up group of six singers…all Broadway performers. It was beautiful, really swung and was a great wrap up to the evening’s performance.
Can you believe it? I mean, seriously! Here is a press photo shoot of the event: http://www.broadwayworld.com/viewcolumn.cfm?colid=23003
I am fat, but I think, Happy.